August 10, 2008 21:00
Teatro Sociale di Montegrino Valtravaglia
Squad
Anna Maria Garriga voice
Zeno Gabaglio Ermanno
pound cello clarinet
Sephardic Music (press release)
In August, the musical season Luino invites his audience to reach the outskirts of Luino, starting from the town of Montegrino Valtravaglia. At one end of the village is the Teatro Sociale, already ownership of the accounts of BIANDRATE Reaglie, and carefully restored, recorded by Piero Chiara in the novel "The Magistrate Cuvio.
Here, at 21, August 10, Night of San Lorenzo, you can listen to the enchanting repertoire of Sephardic music ensemble La Rosa, and maybe after the concert, some spot shooting star entertains in front of the theater for refreshments provided by Pro Loco Montegrino. Free Entry
http://stagionemusicale2008.blogspot.com
Seasons Music Luino is conceived and organized by Frances Galante with the contribution of the Montana Valleys Luinese the City of Luino IMF and private companies, Assiteca, Banca Popolare Commercio e Industria, Riello Valsoni, Grinding Ghiringhelli, Italtrasfo, Timbers Marchetti, Unes (Germantown, Macclesfield, Valtravaglia Porto), Francesco Marmin Photographer, Plants and Spertini Katataiba.
Sephardic Music From the eighth century in Spain started childbearing age and never repeated exchange between the three major traditional cultures that inhabited the land of the Iberian peninsula at that time: Jewish, Christian and Muslim.
The region of Spain where this phenomenon of cultural exchange and circulation gains more importance is the South: the 'current Andalusia (or Al-Andalus in Arabic), which becomes a real and its cultural beacon, with its own personality, illuminating the whole of Europe from its most important capitals: Granada and Cordoba.
This mutual enrichment, the result of the peaceful coexistence of these three ancient cultures, gave birth to a fine synergy that covers all fields of knowledge: the letters to the philosophy, science and art ...
'here and now that is born Sephardic music (in Hebrew "Sepharad" is the biblical site that identifies the peninsula, the old "Hispania"), conveyed orally transmitted through the traditional poetry in "Ladino" (literary language mixture of Hebrew and English ..) and vocation clearly modal use of color components, the result of Arab-Turkish influence.
"The Rose", a group formed by three musicians of different origins (Spain, Italy, Switzerland), wants to remember and honor this spirit of coexistence, tolerance and exchange so necessary in our time, restoring and interpreting this symbolic repertoire in a free and creative. Starting from the instrumentation, (combination of voice, cello and clarinet) and coming up to form, which remains open and alive since improvisation is an important aspect in each of these interpretations of traditional melodies.
Anna Maria Garriga
studied at the conservatory in Barcelona, \u200b\u200bwhere he earned a diploma piano, and then perfected with teachers as Monique Déchausées, Alain Motard, Jorg Demus et Maria Curcio.
In this same period of vocal studies privately begins to deepen the University of Montreal (Canada), graduating in '95 in interpretation of the opera, fine-tuning them privately with Ann Monoyios (in Toronto) and Donna Brown (Ottawa) .
Parallel to his musical training race three years of the theater at the University of Quebec at Montreal with Alain Fournier. Since '97
following specialized training in early music that brought her to work with artists such as Christopher Jackson and Daniel Taylor in Montreal. Back in Europe in 2000, continues this training in the academy of ancient music of Tours (France), where he graduated in 2002, explores the aesthetics of baroque and Robert Béatrix Cramoix Expert in Paris.
lives in Italy since '04, where he continues to be a training on "Method of functional voice Rohmert Gisela" in Germany.
His first professional experience in Canada see it occur as a soloist with various groups of chamber music, contemporary and baroque allowing them to acquire a vast repertoire in terms of gender and ages .. Often makes the production process where the theatrical dimension is added to the musical form.
In recent years, European medieval music adds to his repertoire working with the group "Venance Fortunat, who recorded two albums with.
Otherwise, with different groups and the Directors is produced in various halls and theaters in France, Spain, Italy, Switzerland and Morocco.
Zeno Gabaglio
graduated from the Conservatory of Lugano in cello with Taisuke Yamashita was further refined in interpretative technique with Marcio Carneiro Tibor Varga Academy in Sion, contemporary music with Vinko Globokar, Mario and Enzo Porta Ancillotti School of Music Fiesole, in free improvisation with Walter Fähndrich for the Master of the Music Academy Basel and David Darling and Martin Schütz. In parallel, with a thesis on "music and formative," is He graduated in philosophy from the University of Florence under the guidance of prof. Sergio Givone.
Leaving behind the idea of \u200b\u200bmusician as an interpreter of others' signs and supplementing with a good dose of the practice of electronic cello, has in recent years, mostly his own compositions and improvisation, often thought of as synaesthetic combination with the theater, films, poetry, photography and dance.
has so far been able to bring their music more or less relevant in contexts of Switzerland, Italy, France, Germany, Belgium, Argentina.
Ermanno pound
clarinetist classically trained (he studied, among others, with Massimo M.tro Teora first clarinet of "The Musical Afternoons" in Milan) and later dedicated to the study of jazz and the saxophone with Paolo and Emanuele Cisi Tomelleri.
In the early '90s following the ethnic turn taken by many artists who practice the language of improvisation as a possible encounter between different musical cultures.
collaborated with various ethnic groups devoted to the study of musical instruments belonging to the traditions of Arab, Turkish and Persian as zurna, Kavala, duduk and ney.
composes and arranges the group's repertoire on the cd Mundi Harmony "Cigana" ed. Aria - 1998 and "Baladi" ed. Mingus - 1999. Together with the musician in Tehran
Darioush Madani founded Ensemble Karevan that, among other things, the writer Younis Tawfik accompany the presentation of his book "The Stranger" and. Bompiani. He performs with the group
German Embryo which record a suite that includes the participation of the Chinese erh-hu virtuoso Xizhi Nie. By Zakaria
Aoun, percussionist Rabat, Sahara creates Karevan serving Arab-Andalusian music with belly dancing. In 2002 he met
Fakhraddin Gafarov, Azeri Tar virtuoso and former director of the National Conservatory of Baku, capital of Azerbaijan. With
he founded the Ensemble Shargh Uldusù (Eastern Star), performing in numerous concerts in Italy and abroad and recording the cd "Sarevan" ed. Clouds Travel - 2004 and
"Sahara Karevan" ed. SK - 2005.
composes and performs live music for several silent films restored by the National Film Library of Bologna.
Zeno Gabaglio Ermanno
pound cello clarinet
Sephardic Music (press release)
In August, the musical season Luino invites his audience to reach the outskirts of Luino, starting from the town of Montegrino Valtravaglia. At one end of the village is the Teatro Sociale, already ownership of the accounts of BIANDRATE Reaglie, and carefully restored, recorded by Piero Chiara in the novel "The Magistrate Cuvio.
Here, at 21, August 10, Night of San Lorenzo, you can listen to the enchanting repertoire of Sephardic music ensemble La Rosa, and maybe after the concert, some spot shooting star entertains in front of the theater for refreshments provided by Pro Loco Montegrino. Free Entry
http://stagionemusicale2008.blogspot.com
Seasons Music Luino is conceived and organized by Frances Galante with the contribution of the Montana Valleys Luinese the City of Luino IMF and private companies, Assiteca, Banca Popolare Commercio e Industria, Riello Valsoni, Grinding Ghiringhelli, Italtrasfo, Timbers Marchetti, Unes (Germantown, Macclesfield, Valtravaglia Porto), Francesco Marmin Photographer, Plants and Spertini Katataiba.
Sephardic Music From the eighth century in Spain started childbearing age and never repeated exchange between the three major traditional cultures that inhabited the land of the Iberian peninsula at that time: Jewish, Christian and Muslim.
The region of Spain where this phenomenon of cultural exchange and circulation gains more importance is the South: the 'current Andalusia (or Al-Andalus in Arabic), which becomes a real and its cultural beacon, with its own personality, illuminating the whole of Europe from its most important capitals: Granada and Cordoba.
This mutual enrichment, the result of the peaceful coexistence of these three ancient cultures, gave birth to a fine synergy that covers all fields of knowledge: the letters to the philosophy, science and art ...
'here and now that is born Sephardic music (in Hebrew "Sepharad" is the biblical site that identifies the peninsula, the old "Hispania"), conveyed orally transmitted through the traditional poetry in "Ladino" (literary language mixture of Hebrew and English ..) and vocation clearly modal use of color components, the result of Arab-Turkish influence.
"The Rose", a group formed by three musicians of different origins (Spain, Italy, Switzerland), wants to remember and honor this spirit of coexistence, tolerance and exchange so necessary in our time, restoring and interpreting this symbolic repertoire in a free and creative. Starting from the instrumentation, (combination of voice, cello and clarinet) and coming up to form, which remains open and alive since improvisation is an important aspect in each of these interpretations of traditional melodies.
Anna Maria Garriga
studied at the conservatory in Barcelona, \u200b\u200bwhere he earned a diploma piano, and then perfected with teachers as Monique Déchausées, Alain Motard, Jorg Demus et Maria Curcio.
In this same period of vocal studies privately begins to deepen the University of Montreal (Canada), graduating in '95 in interpretation of the opera, fine-tuning them privately with Ann Monoyios (in Toronto) and Donna Brown (Ottawa) .
Parallel to his musical training race three years of the theater at the University of Quebec at Montreal with Alain Fournier. Since '97
following specialized training in early music that brought her to work with artists such as Christopher Jackson and Daniel Taylor in Montreal. Back in Europe in 2000, continues this training in the academy of ancient music of Tours (France), where he graduated in 2002, explores the aesthetics of baroque and Robert Béatrix Cramoix Expert in Paris.
lives in Italy since '04, where he continues to be a training on "Method of functional voice Rohmert Gisela" in Germany.
His first professional experience in Canada see it occur as a soloist with various groups of chamber music, contemporary and baroque allowing them to acquire a vast repertoire in terms of gender and ages .. Often makes the production process where the theatrical dimension is added to the musical form.
In recent years, European medieval music adds to his repertoire working with the group "Venance Fortunat, who recorded two albums with.
Otherwise, with different groups and the Directors is produced in various halls and theaters in France, Spain, Italy, Switzerland and Morocco.
Zeno Gabaglio
graduated from the Conservatory of Lugano in cello with Taisuke Yamashita was further refined in interpretative technique with Marcio Carneiro Tibor Varga Academy in Sion, contemporary music with Vinko Globokar, Mario and Enzo Porta Ancillotti School of Music Fiesole, in free improvisation with Walter Fähndrich for the Master of the Music Academy Basel and David Darling and Martin Schütz. In parallel, with a thesis on "music and formative," is He graduated in philosophy from the University of Florence under the guidance of prof. Sergio Givone.
Leaving behind the idea of \u200b\u200bmusician as an interpreter of others' signs and supplementing with a good dose of the practice of electronic cello, has in recent years, mostly his own compositions and improvisation, often thought of as synaesthetic combination with the theater, films, poetry, photography and dance.
has so far been able to bring their music more or less relevant in contexts of Switzerland, Italy, France, Germany, Belgium, Argentina.
Ermanno pound
clarinetist classically trained (he studied, among others, with Massimo M.tro Teora first clarinet of "The Musical Afternoons" in Milan) and later dedicated to the study of jazz and the saxophone with Paolo and Emanuele Cisi Tomelleri.
In the early '90s following the ethnic turn taken by many artists who practice the language of improvisation as a possible encounter between different musical cultures.
collaborated with various ethnic groups devoted to the study of musical instruments belonging to the traditions of Arab, Turkish and Persian as zurna, Kavala, duduk and ney.
composes and arranges the group's repertoire on the cd Mundi Harmony "Cigana" ed. Aria - 1998 and "Baladi" ed. Mingus - 1999. Together with the musician in Tehran
Darioush Madani founded Ensemble Karevan that, among other things, the writer Younis Tawfik accompany the presentation of his book "The Stranger" and. Bompiani. He performs with the group
German Embryo which record a suite that includes the participation of the Chinese erh-hu virtuoso Xizhi Nie. By Zakaria
Aoun, percussionist Rabat, Sahara creates Karevan serving Arab-Andalusian music with belly dancing. In 2002 he met
Fakhraddin Gafarov, Azeri Tar virtuoso and former director of the National Conservatory of Baku, capital of Azerbaijan. With
he founded the Ensemble Shargh Uldusù (Eastern Star), performing in numerous concerts in Italy and abroad and recording the cd "Sarevan" ed. Clouds Travel - 2004 and
"Sahara Karevan" ed. SK - 2005.
composes and performs live music for several silent films restored by the National Film Library of Bologna.
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